Home Museum Keith Haring retrospective at Bozar

Keith Haring retrospective at Bozar

by Vincent

The short but prolific career of artist Keith Haring took place during the span of one decade, the ’80s. Bridging the gap between street graffiti and the art world, Haring initially rose to fame from the hundreds of illegal public murals and drawings he made between 1980 and 1985 in the subways and sidewalks of New York City.

Keith Haring Drawing in Subway Station of New York early oin his career

“All kinds of people would stop and look at the huge drawing and many were eager to comment on their feelings toward it. This was the first time I realized how many people could enjoy art if they were given the chance. These were not the people I saw in the museums or in the galleries but a cross-section of humanity that cut across all boundaries.”

Keith Haring

He believed that art was for everyone and that in order to reach as much of a broad public as possible that there was no better place for it to be displayed than on the city streets instead of the more traditional closed circuits of art galleries and museums.

Introduction to Keith Haring
“Art is for Everybody” at the entrance of the Keith Haring exhibit in Brussels, Belgium

When Keith Haring was 21, he was becoming aware of street graffiti and street art and in the “publicness” that art can be presented in by making the works during the rush hour among commuters in a very social setting. Between 1980 and 1985 Keith Haring made thousands of what are called chalk subway drawings. These would have been otherwise carrying advertisements for hot dogs or perfume but when the advertisements were expired it would be covered with this black paper.

Keith Haring at Paul Maenz 1984

He saw these blank canvases as a a place in which he could present his visual universe. So they would be very temporary, very professional, very generous but also a way of presenting his work in a very public open-handed way.

Keith Haring fingerprints records after arrest for illegal graffiti

Above fingerprints record of Keith Haring after one of his multiple arrests for illegal graffiti in the subways of New York

“More than once, I’ve been taken to a station handcuffed by a cop who realized, much to his dismay, that the other cops in the precinct are my fans and were anxious to meet me and shake my hand.”

Keith Haring


Early in his career, Keith worked on different mediums that were freely available throughout the city. Like for example, plastic sheeting or wooden panels used in construction or advertising boards in the subways, etc. Observe the two wooden panels, what do we see? We see a TV with Mickey, and a character whose head is a TV. In the 1980″s, more and more homes had a television set. Keith wants to draw attention to the influence that the media can have on us: consumption, manipulation through news. Mickey, is a positive childish symbol, and was all the rage after WWII. Even though this symbol is positive, it is artificial. does not exist and it is a product of the imagination. Already, in the 1980″s, people had started to reflect on the influences of the media and the limits to be set. Observe these above drawings: the symbols are clear, there is no text. The aim here is for the artist to make his works accessible to everyone. The fact that these are clear and visual brings the public closer to his art. Take, for example, abstract artwork: an audience that is not used to attending exhibitions would find it difficult to interpret the message. This is not the case here, the designs are very symbolic.

Early Works of Keith Haring
Take for example television with Mickey Mouse. Above, we can see a bubble with a baby, a symbol typical of the artist. The lines surrounding the baby represent the nuclear, and the baby the victim. On this panel, the man who has a television instead of his head, has a cross on his body. The cross symbolizes the character as a victim. Television that replaces the head may represent “brainwashing”


Keith felt that artists also had a role to play as spokesmen for a society at any given point in history. He purposely chosen a medium that was accessible to masses to addressed hot topics of the era such as: Gay rights, racism, AIDS epidemic, nuclear war, religion and the excesses of capitalism.

Apartheid by Keith Haring
Keith Haring tackling the subject of Apartheid created this piece in honor of Nelson Mandela’s 70th anniversary.

By Observing Haring’s work above, we can clearly see that it is a message related to racism. This work plays on empathy, by reversing the roles: where a black kicks out a white holding him on a leash. The Black character is also holding in his hand a cross, symbol of religion. Religion can constitute the origin of a problem. We can take colonialism as an example: most colonies had a religious mission to spread the faith of Christ, but this was used to subdue the local populations and make it easier for the occupation of territories and yield power over them.

The Murder of John Lennon dreamed by Keith Haring
John Lennon’s death dreamed by Keith Haring

Let’s take a look at this work above, which is about the death of the famous singer John Lennon in NYC. The singer was shot and killed in front of his house by an ex fan. The artist, shocked by the news, had a dream of John Lennon with dogs jumping through a hole across his body that we can see in this painting. We can also notice other significant symbols, typical of the artist: The baby on this book is surrounded by lines, symbolizing innocence, but also in some cases danger. Two characters read the bible, alluding to the killer Mark David Chapman, a deranged religious zealot who used to be a fan but sought kill him when Lennon, in a public statement said that the Beatles were “more popular than Jesus” and for some of the lyrics in his songs “God” and “Imagine“.  Mickey, as seen above, can symbolize manipulation and consumption.

1981 - The year the AIDS virus was discovery by Keith Haring
1981 untitled portrait referring to the discovery of the AIDS VIRUS with again a religious undertone

The artist rarely dates his works but when he does, the date indicated refers to an event that deeply marked or touched him. Here, we can see in both portraits above and below “1981”, year in which the existence of AIDS was discovered.

1981- Discovery of the AIDS virus by Keith Haring
1981- The discovery of the AIDS VIRUS

He was terrified of how aggressively the virus was spreading in the gay community, being himself homosexual and promoted safe sex through hist art.

ACT UP! by Keith Haring
ACT UP! Campaign promoting safe sex and gay rights

Visual Activism by Keith Haring
More art relating to various activism causes

Gay scene in NYC 1980’s
Think outsde the box by Keith Haring

Think outside of the box by Keith Haring

In just a few years, more than 40,000 people are died of AIDS. In 1988, the artist tested positive for HIV as his former companion had contracted it and died 2 years earlier.

Portrayals of macabre devil sperm as his body became affected by late stages of AIDS.
10 Portrait about the discovery of AIDS virus

We all know his earlier art style, but once HIV appeared in the New York city gay community, this traumatized him as many of his friends died and he knew he was at the time highly susceptible to one day catch the virus.His artistic style has started to change a lot. The features are more violent, touches of red appear. Taking a look at Keith Haring’s drawings above, they are all framed with a red line. Indeed, the framing alludes to comic strip boxes, but the red contrasts with the black. The horned snake that we see there symbolizes the disease of AIDS. The serpent comes out of the frames, which represents the violence, power and speed it’s propagation. This work is in a completely different style from those we have seen previously. During the period when the artist knew he had HIV, he opens up and his work becomes a diary, filled with moments of his life. Keith Haring died in 1990 of AIDS, like many of his friends.


It was in 1983, that Keith Haring really exploding as a pop art superstar and was being invited to exhibit internationally. he was like a sponge he was drawing inspiration from pop art, from the street art, from hieroglyphs and from the hip-hop culture. Creating his very unique visual pop style that became ubiquitous with the 1980’s

‘Matrix’ by Keith Haring
The Matrix is representation of Keith Haring’s visual universe

Bull with mask by Keith Haring
Bull with mask

Untitled by Keith Haring
Very interesting piece of art by Keith Haring

Dancing without a head by Keith Haring
Dancing without a head

Untitield in Act UP NOW! Room by Keith Haring
Untitield in Act UP NOW! Room by Keith Haring

Art in Transit NYC
Art in Transit by Keith Haring

Scrap yellow cab hood by Keith Haring

Old scrapped New York yellow cab hood used as a canvas by Keith Haring

Untitield in Act UP NOW! Room by Keith Haring

Stacking TV sets by Keith Haring
Stacking up TV sets high by Keith Haring

CLUB 57 AND ALTERNATIVE ART SPACES that Keith would go to

designed record sleeves for artists by Keith Haring
LP record sleeves designed for famous artists by Keith Haring

Violence on TV by Keith Haring
Violence in the media by Keith Haring

Lively art scene of New York in the 80’s

The barking dog one of the main characters of Keith Haring’s art used to call to attention, either for anger or as a warning

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