Location of the Ixelles Cemetery:

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Photos Cimetière d’Ixelles:

Jesus sculpture by Arthur Pierre

Fallen heroes of Word War II sculpture by Charles Samuel

Grief

Angel imploring God on the loss of a son

“Le fil de la vie coupé court” by Eugène De Bremaecker

Guardian Angel

Inconsolable loss

Multifaceted

WWI Fallen soldier

Touching Heaven

The tragic Destiny of Merjaït family he during WWI

Location of Etangs d’Ixelles:

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Photos of Etangs d’Ixelles (Ixelles Ponds):

Reaching the Ixelles Ponds arriving from the Abbaye de la Cambre

The Church Sainte-Croix in the back

Some ducks at the Étangs d’Ixelles

Man relaxing on the lawn alone by the water

Walk around the Ixelles Ponds

Urban scene on one side

Nature on the other

at the other end of the pond lies the Place Flagey

View backwards at the tip of the pond

Surrounding buildings

Impressive number of birds waiting to bed fed

Here comes the food

Man reading by the pond

Back on track

More wildlife

Nature in the city

Back where we started

Speaking about the sculpture Arne Quinze goes on to say:

CITYSCAPE resembles a frozen movement; speed caught in time. It is a powerful means of communication, in many ways. if you look at it from a distance, pure movement seems to keep the volatile structure in the air. Sun rays play
with the wooden beams; a game of light and shade creates ever-changing patterns. its immense size – 40 meter long and 25 meter wide – absorbs you. CITYSCAPE calls for instant reactions, it’s impossible not to feel anything.

Location of Cityscape:

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Photos of the Cityscape wooded sculpture by Arne Quinze:

Location of the Abbaye de la Cambre:

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The Abbaye de la Cambre from the stair of the the Promenade des abbesses

The peaceful surroundings of the Abbaye of la Cambre

Entrance leading to the building housing the National Geographic institute

The church — The original 14C building was destroyed during the 1581 fire. When rebuilt at the end of the 16C under the auspices of Philip ll, it was incorporated into the surrounding buildings. The graceful Gothic facade is decorated with several sculptures. The Classical blue stone portal conceals a much more sober Gothic style porch which is partially concealed. The chevet and its beautiful buttresses are visible from the courtyard.

Abbey church entrance from the Cour d’honneur

Entering the Church

Details

Opposite side of the church

Chapel

The entrance is in the northern transept which is, in fact, a false transept formed by two chapels. On the east wall is the shrine of St Boniface (rebuilt in the 17C). The single nave exemplifies Cistercian simplicity; it is roofed with wooden barrel vaulting (partially polychrome), lit by eight high tracery windows, and decorated with Stations of the Cross by Anto Carte (1886-1954).
The chancel has stained-glass windows by the same artist but has lost its original vaulting which was replaced in the 17C. The most interesting features are a Mocking Christ by Aelbrecht Bouts (1452-1549) on the north wall of the nave; the Chapel of the Holy Sacrament, parallel to the nave, dedicated to St Philip Neri; the south transept which is also the Lady Chapel (see the consoles
carved with figures and symbolic animals) and which communicates with the chancel via a small opening.

School of decorative arts or École des Arts Décoratifs

Benches in from of the ducks pond or mare aux canards

Inside view of la cour d’honneur

A bit of history of the Abbaye de la Cambre– In 1201, Duke Henry I and his wife Mathilda gave the Cistercian Sisters a small valley watered by the Maelbeek River, so charming that it was nicknamed Little Switzerland. Sister Gisela founded a monastery there. The future St Boniface, then Bishop of Lausanne, although originally from Brussels, went to live in the abbey in 1242 to flee Emperor Frederick II who had just been excommunicated by Pope Gregory IX. The abbey prospered, grew rich and reached the peak of its glory in the late 13C.But after the rise came the fall. The abbey suffered from the Wars of Religion in the 16C. In 1581, the nuns left the abbey, which was devastated by Spanish troops who set fire to the building to prevent the army of the States from seeking refuge there. Ever tenacious, the nuns returned in 1599, until Henri de Nassau caused the ruin of Brabant in 1622. A short time afterwards in 1635 the sisters evacuated the abbey to make way for French and Dutch troops. They returned just in time to see Louis XIV on his way to lay siege to the town of Maastricht in 1673. Unfortunately, in the words of Viscount Terlinden, “this dazzling apparition of war in lace collars soon disappeared, leaving in its wake only the sad reality of pillaging, extortion, ruin and death”.

Other building of the School of decorative arts or École des Arts Décoratifs

The jardins étagés

View from the top of the gardens

The Abbaye de la Cambre was suppressed in 1796 by the French Republic and now houses the services of the National Geographic Institute and several sections of the National School of Architecture and Decorative Arts, known as “La Cambre” its de La Cambre is a translation of the Latin camera (chamber) which lost its “h” under the influence of the Dutch Ter Kameren.

Opposite side of the École des Arts Décoratifs buildings

People often come to the ducks pond during the lunch break

Path that circling around Abbaye de la Cambre